NOWs: Rakete by Malte Bartsch

14. September - 28. Oktober 2016 / Nows

WHO WANTS TO DIE?
rk Galerie | Möllendorffstr. 6 | 10367 Berlin

„Pazifismus heute“ bildet das zentrale Motiv als auch das konstituierende Moment für eine sozialkritische, hinterfragende, forschende, aktionistische und abstrahierend künstlerische Auseinandersetzung mit gesellschaftlichen Ordnungssystemen und deren Transformation im Rahmen des Ausstellungsprojektes „WHO WANTS TO DIE?“, das als Rechercheprojekt erstmalig im Rahmen der Berlin Art Week gezeigt wird.

Teilnehmende Künstler und Künsterlinnen:
Marta Antoniak (PL), Malte Bartsch (DE), Christoph Both-Asmus (DE), Krzysztof Debicki (PL), Milosz Flis (PL), Jakob Grebert (DE), Rafael Ibarra (MEX), Teresa Otulak (PL), Urszula Pieregonczuk (PL), Jovana Popic (CRO-RS), Wlodzimierz Pozniak (PL), Dominik Ritszel (PL), Elisabeth Scharler (A), Martin Schwarze (DE), Anna Siekierska (PL), Wanda Stang (DE), André Uerba (PT), Ivar Veermäe (FI). Kuratorin: Nicole Loeser, Co-Kurator: Leszek Golec
Ein Ausstellungsprojekt von rk Galerie in Kooperation mit dem Center for Polish Sculpture und WHITECONCEPTS im Rahmen der Berlin Art Week 2016.

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Beitrag von Malte Bartsch:

Raktete, 2016

Eine Rakete startet in den Himmel, will hoch hinaus, wird mit einem Gummiband zur Erde zurück gezwungen.

Vorheriger Eintrag

NOWs: Welcome & Wire by Timea Anita Oravecz

15. September - 15. Oktober 2016 / Nows ⟶

NOWs: Timea Anita Oravecz: Wire, 2016. Photo: Vladimir Pavic SEE Art Gates: States of Reality 17th Art Biennial, organized by the Pancevo Cultural Centre, Serbia A concern for the politics of geography and the reality of migration informs the work of Timea Anita Oravecz, who participates in the 17th Art Biennial, Serbia. „For more than eighteen years, I have been living in different Western European countries. I am fascinated by the diverse cultural and social approaches that differ from my childhood experiences in Hungary under the socialist regime. With my background and the experiences I faced as an immigrant, I developed an interest in the relationship between personal identity, culture of origin, and the need for integration. My projects generally make reference to my socio-cultural context and they are inspired by my daily life. The urban space is crucial to my work in addition to the connections between the political, cultural and historical context“, says the artist. Slought Curatorial and Research Fellow Laurel McLaughlin spoke with Oravecz about the the possibility of migrating across political and ideological borders, and her own moral imperative to empathize and support other migrants. Informed by her Hungarian identity, her work interrogates the agenda of the European Union as concerns inclusion and exclusion, and the human necessity to explore „elsewhere.“ Read the interview. – Timea Anita Oravecz: Welcome to EU, 2016 Timea Anita Oravecz: Windless, Variations for the Eu Flag Nr.2., 2016 NOWs: Timea Anita Oravecz: Wire, 2016. Photo: Vladimir Pavic SEE Art Gates: States of Reality 17th Art Biennial, organized by the Pancevo Cultural Centre, Serbia A concern for the politics of geography and the reality of migration informs the work of Timea Anita Oravecz, who participates in the 17th Art Biennial, Serbia. „For more than eighteen years, I have been living in different Western European countries. I am fascinated by the diverse cultural and social approaches that differ from my childhood experiences in Hungary under the socialist regime. With my background and the experiences I faced as an immigrant, I developed an interest in the relationship between personal identity, culture of origin, and the need for integration. My projects generally make reference to my socio-cultural context and they are inspired by my daily life. The urban space is crucial to my work in addition to the connections between the political, cultural and historical context“, says the artist. Slought Curatorial and Research Fellow Laurel McLaughlin spoke with Oravecz about the the possibility of migrating across political and ideological borders, and her own moral imperative to empathize and support other migrants. Informed by her Hungarian identity, her work interrogates the agenda of the European Union as concerns inclusion and exclusion, and the human necessity to explore „elsewhere.“ Read the interview. – Timea Anita Oravecz: Welcome to EU, 2016 Timea Anita Oravecz: Windless, Variations for the Eu Flag Nr.2., 2016

Nächster Eintrag

NOWs: Elise Eeraerts at Horst

11. September - 10. Oktober 2016 / Nows ⟶

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NOWs: Rakete by Malte Bartsch

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