NOWs: A City Curating Reader by Joanna Warsza & Patricia Reed

30 January 2019 / Nows

A City Curating Reader. Public Art Munich 2018

Book release

Spike
Rosa-Luxemburg-Straße 45

10178 Berlin

Wednesday, 30 January, 7.30 pm

Statements & Discussion: Cana Bilir-Meier, Maria Lind, Alexander Koch, Patricia Reed and Joanna Warsza

Artists / Künstler*Innen: Aleksandra Wasilkowska, Alexander Kluge & Sarah Morris, Alexandra Pirici, Anders Eiebakke, Anna McCarthy & Gabi Blum, Ari Benjamin Meyers, Cana Bilir-Meier, Dan Perjovschi, Flaka Haliti & Markus Miessen, Franz Wanner, Jonas Lund, Lawrence Abu Hamdan, Leon Eixenberger, Mariam Ghani, Massimo Furlan, Michaela Melián, Olaf Nicolai, Rudolf Herz & Julia Wahren, Students of the Academy of Fine Arts in Munich, The 9th Futurological Congress/Julieta Aranda & Mareike Dittmer

Contributors / Beitragende: Alexander Koch, Bassam El Baroni, Behzad Khosravi Noori, Bellevue di Monaco: Achim Waseem Seger, Kissi Baumann, Marvis Gabriel & You have to be as cool as Alain Delon; Chantal Mouffe, Chris Fitzpatrick, Cordula Schütz, Daniela Stöppel, Emilie Houdent, Ewa Majewska, Gürsoy Doğtaş, Harry Thorne, Jens Maier-Rothe, Joanna Warsza, Jovana Reisinger, Katja Kobolt, Klasse Florian Matzner & Ann-Jasmin Ullrich, María Inés Plaza Lazo, Maria Lind, Maria Muhle, Mathieu Wellner, Mirela Baciak, Moritz Hollinger, Patricia Reed, Stefanie Peter, Sven Beckstette, Sven Lütticken, Thomas Girst, Thomas Meinecke

What is public in public art? What are the contingencies of working outside of the protection of the institutional walls? What makes city curating? This reader takes Munich as a case study, and documents the projects of PUBLIC ART MUNICH 2018 dealing with political, ideological and economical shifts, spanning from the founding of the Bavarian Soviet Republic in 1919 to the arrival of refugees at the Hauptbahnhof in 2015. It contextualizes art within the broader questions of the grammar of the public sphere and of what constitutes publicness today. It also reflects on the concept of context-specific city curating, performativity and art conceived in minutes rather than square meters. Art projects, conversations and essays plot a narrative of how art can cultivate encounters with the unpredictable, negotiate the uncommonness, and provoke the counter-publics to come.

NOWs: Rune Bosse at The Hirschsprung Collection

02 February - 28 April 2019 / Nows ⟶

Down to earth.Danish painting 1780-1920 and landscapes of the anthropocene The Hirschsprung Collection Stockholmsgade 20 2100 København Ø Down to Earth is a visionary exhibition, which brings art and the natural sciences together to discuss one of the most urgent questions of our times. In the exhibition, the question of what we are doing to our planet is asked through a historical reflection of how we got to this precarious moment. The landscape, nature, and our surroundings have changed dramatically in the last 200 years. We live in the Anthropocene Epoch, in which humanity’s impact on nature has run so deep as to have left its own geological traces. Down to Earth shows us how, as early as the nineteenth century, landscape painting and the natural sciences were already working together to document and interpret the landscape’s profound transformation. The two renowned contemporary artists Rune Bosse and Camilla Berner add a current dimension to the subject with new works that are locally anchored and site-specific. This exhibition is a collaboration between Faaborg Museum, Fuglsang Kunstmuseum, the Ribe Art Museum and The Hirschsprung Collection, Copenhagen. The exhibition is curated by Gry Hedin (Faaborg Museum), Gertrud Oelsner (The Hirschsprung Collection), and Thor J. Mednick (University of Toledo). Down to earth.Danish painting 1780-1920 and landscapes of the anthropocene The Hirschsprung Collection Stockholmsgade 20 2100 København Ø Down to Earth is a visionary exhibition, which brings art and the natural sciences together to discuss one of the most urgent questions of our times. In the exhibition, the question of what we are doing to our planet is asked through a historical reflection of how we got to this precarious moment. The landscape, nature, and our surroundings have changed dramatically in the last 200 years. We live in the Anthropocene Epoch, in which humanity’s impact on nature has run so deep as to have left its own geological traces. Down to Earth shows us how, as early as the nineteenth century, landscape painting and the natural sciences were already working together to document and interpret the landscape’s profound transformation. The two renowned contemporary artists Rune Bosse and Camilla Berner add a current dimension to the subject with new works that are locally anchored and site-specific. This exhibition is a collaboration between Faaborg Museum, Fuglsang Kunstmuseum, the Ribe Art Museum and The Hirschsprung Collection, Copenhagen. The exhibition is curated by Gry Hedin (Faaborg Museum), Gertrud Oelsner (The Hirschsprung Collection), and Thor J. Mednick (University of Toledo).

NOWs: Raster. Labor at CTM Festival

26 January - 03 February 2019 / Nows ⟶

Raster.Labor at CTM FestivalWith works by: Byetone + Mieko Suzuki, Dasha Rush, Frank Bretschneider, Grischa Lichtenberger, Robert Lippok nGbK Oranienstr. 25 10999 Berlin-Kreuzberg Opening 25 January 2019, 18:00 Runs 26 January – 3 February 2019, 12:00 – 22:00 With the premiere of Labor, CTM and seminal electronic imprint Raster celebrate a collaboration almost as old as the festival itself. Byetone + Mieko Suzuki, Dasha Rush, Frank Bretschneider, Grischa Lichtenberger, and Robert Lippok will take part in the inaugural edition of the piece, utilizing sparse hardware setups to craft perpetual, regenerating compositions. Active since 1996, Raster is the influential German label that has released music from Ryoji Ikeda, Kyoka, Atom ™, William Basinski, Kangding Ray, and Belief Defect, among others. Conceived by Olaf Bender, David Letellier, and Frank Bretschneider, Labor is created in close collaboration with Raster artists. With Labor, Raster explore artistic processes, and how they diverge and develop from the same starting point or set of conditions. Five tables with minimal Eurorack setups and a handful of studio monitors form the basis of the piece. The analogue hardware generates and manipulates control voltages, forming a framework in which the artists can complete, connect, and interact with the modules. As the setup does not contain any sound producing components, participating artists will select sound sources themselves, which could range from minuscule to gargantuan sonic objects. They may choose to mechanically generate sound, or to integrate microphones and amplify sound. Generative composition, whether through regulating sonic events or strategic compositional decisions, has been a key part of electronic music’s history. Labor references both academic and DIY histories of analogue synthesis, exploring open and dynamic fields of hardware experimentation. The intention of the setup is to enable interested audience members to directly observe cause and effect, so digital software will be avoided. Berlin’s neue Gesellschaft für bildende Kunst (nGbK) will host the inaugural iteration of the piece. Active since 1969, nGbK is one of Germany’s foremost art societies – they are invested in exhibitions, artistic interventions, research projects, interdisciplinary projects, publications, and more. nGbK is built on a unique structure that allows members to be directly involved in its activities; they understand art as a form of action that directly impacts social processes. Raster.Labor at CTM FestivalWith works by: Byetone + Mieko Suzuki, Dasha Rush, Frank Bretschneider, Grischa Lichtenberger, Robert Lippok nGbK Oranienstr. 25 10999 Berlin-Kreuzberg Opening 25 January 2019, 18:00 Runs 26 January – 3 February 2019, 12:00 – 22:00 With the premiere of Labor, CTM and seminal electronic imprint Raster celebrate a collaboration almost as old as the festival itself. Byetone + Mieko Suzuki, Dasha Rush, Frank Bretschneider, Grischa Lichtenberger, and Robert Lippok will take part in the inaugural edition of the piece, utilizing sparse hardware setups to craft perpetual, regenerating compositions. Active since 1996, Raster is the influential German label that has released music from Ryoji Ikeda, Kyoka, Atom ™, William Basinski, Kangding Ray, and Belief Defect, among others. Conceived by Olaf Bender, David Letellier, and Frank Bretschneider, Labor is created in close collaboration with Raster artists. With Labor, Raster explore artistic processes, and how they diverge and develop from the same starting point or set of conditions. Five tables with minimal Eurorack setups and a handful of studio monitors form the basis of the piece. The analogue hardware generates and manipulates control voltages, forming a framework in which the artists can complete, connect, and interact with the modules. As the setup does not contain any sound producing components, participating artists will select sound sources themselves, which could range from minuscule to gargantuan sonic objects. They may choose to mechanically generate sound, or to integrate microphones and amplify sound. Generative composition, whether through regulating sonic events or strategic compositional decisions, has been a key part of electronic music’s history. Labor references both academic and DIY histories of analogue synthesis, exploring open and dynamic fields of hardware experimentation. The intention of the setup is to enable interested audience members to directly observe cause and effect, so digital software will be avoided. Berlin’s neue Gesellschaft für bildende Kunst (nGbK) will host the inaugural iteration of the piece. Active since 1969, nGbK is one of Germany’s foremost art societies – they are invested in exhibitions, artistic interventions, research projects, interdisciplinary projects, publications, and more. nGbK is built on a unique structure that allows members to be directly involved in its activities; they understand art as a form of action that directly impacts social processes.

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NOWs: A City Curating Reader by Joanna Warsza & Patricia Reed

A City Curating Reader. Public Art Munich 2018

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