NOWs: Triangular Project

26 June - 02 July 2017 / Nows

EXPLORING SPATIAL AWARENESS
JUNE 26th – JULY 2nd, 2017

A 7 days Master Class exploring spatial awareness at the Ionion Center for the Arts and Culture, Kefalonia Island, Greece, led by TRIANGULAR PROJECT

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OPEN CALL
The master class aims to explore spatial awareness (perception of psychological / mental space, consciousness of the limits of our body in space, perception of optical / perceptual space, and aural spatial awareness) through various artistic techniques. Participants will acquire artistic tools and methods to investigate spatial awareness and technical support will be provided in sound and video recording, painting, action / performance, installation, and sculpture. Participants will develop and exhibit a personal project. They will also be encouraged to reflect on their personal artistic practice and that of their fellow artists. It is open to all disciplines in the arts and other areas of knowledge

We are looking forward to welcome participants interested in space and perception.

DEADLINES FOR SUBMISSION : April 20th, 2017

There are grants related to the SEA forum, connected as well with the master class. All the info at www.ionionartscenter.gr and www.triangularproject.net

For questions please address Sophie at info@ionionartscenter.gr and or us at triangular.project@gmail.com

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TRIANGULAR PROJECT is a collective of visual artists working with the theme of space. The artistic practises of Florine Leoni (Switzerland), Macarena Ruiz-Tagle (Chile) and Sandra Volny (Canada) draw a TRIANGLE – a three-sided shape based on three kinds of perception: perception of psychological/mental space, perception of optical/perceptual space, and aural & spatial awareness.

Working in situ, their interests and actions intertwine with the local community’s culture, history and geography. Experimentation is their main tool in approaching the environment. They consider the process as important as the final work of art. Collective work, side by side with invited participants, unfolds into a shared creation of knowledge.

NOWs: Glottal Wolpertinger by Jan St. Werner and Dessner brothers

06 July 2017 / Nows ⟶

NOWs: Glottal Wolpertinger by Jan St. Werner and Dessner brothers Music performance 6.7.2017; 9:30 pm Romantso, Anaxagora 3–5, Athens Multi-fragmented composition, 2017 Eight microtonally tuned feedback channels are broadcast over the documenta 14 Radio Program for a period of ten weeks. On July 6, 2017 the feedback channels converge with each other during an installative performance in Athens. The eight composition fragments each consist of a continuously modulated feedback channel based on a harmony. The feedback channels resonate at the tuning frequencies of 44 Hz, 133 Hz, 339 Hz, 527 Hz, 826 Hz, 1014 Hz, 1552 Hz, 1889 Hz, 2.3 kHz, 4.6 kHz, 7.15 kHz, 10.14 kHz, 14.873 kHz, and 29.45 kHz. This results in oscillations, binaural pulses, and sound artifacts. Traditional techniques of orientation in music are pushed beyond the limits of comprehension. Glottal Wolpertinger deconstructs the principle of the musical drone, the timelessly dense, continuously spreading mass of sound, and uses idiosyncratic, abrupt movements to break with the traditional object character of music. The piece culminates in a live performance before an audience at Romantso in the city center of Athens and then breaks down. Next broadcasts: June 21, 2017, 24:00 (UTC+2) and July 1, 2017, 24:00 (UTC+2) Posted in public radio as part of documenta14 listening space. A stereo version of Glottal Wolpertinger as a white CD-R with stamped date, white screen-printed cover on black card sleeve and printed insert is available via farbvision. NOWs: Glottal Wolpertinger by Jan St. Werner and Dessner brothers Music performance 6.7.2017; 9:30 pm Romantso, Anaxagora 3–5, Athens Multi-fragmented composition, 2017 Eight microtonally tuned feedback channels are broadcast over the documenta 14 Radio Program for a period of ten weeks. On July 6, 2017 the feedback channels converge with each other during an installative performance in Athens. The eight composition fragments each consist of a continuously modulated feedback channel based on a harmony. The feedback channels resonate at the tuning frequencies of 44 Hz, 133 Hz, 339 Hz, 527 Hz, 826 Hz, 1014 Hz, 1552 Hz, 1889 Hz, 2.3 kHz, 4.6 kHz, 7.15 kHz, 10.14 kHz, 14.873 kHz, and 29.45 kHz. This results in oscillations, binaural pulses, and sound artifacts. Traditional techniques of orientation in music are pushed beyond the limits of comprehension. Glottal Wolpertinger deconstructs the principle of the musical drone, the timelessly dense, continuously spreading mass of sound, and uses idiosyncratic, abrupt movements to break with the traditional object character of music. The piece culminates in a live performance before an audience at Romantso in the city center of Athens and then breaks down. Next broadcasts: June 21, 2017, 24:00 (UTC+2) and July 1, 2017, 24:00 (UTC+2) Posted in public radio as part of documenta14 listening space. A stereo version of Glottal Wolpertinger as a white CD-R with stamped date, white screen-printed cover on black card sleeve and printed insert is available via farbvision.

NOWs: The Seekers

16 - 25 June 2017 / Nows ⟶

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